“You Wouldn’t Steal a Car”: Successes and Shortcomings of the…
Throughout the last few years, an increasing number of companies have transitioned to a subscription model of…
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Netflix
MIR Meets: Alyssa Rosenberg
Host Andrew Xu sits down with Alyssa Rosenberg, a columnist for The Washington Post. They discuss the Cardiff…
The End of an Era: Why Hollywood as We Know It Is Over
Whatever the case may be, the resounding consensus is that Hollywood as we know it is no longer functioning in the…
How Fictional Is Squid Game?
When considering both historical and present conditions in South Korea, it becomes clear that the show is providing…
“Squid Game” and Human Rights: The Life of a Migrant Worker
As a migrant worker and visible minority, Ali Abdul's boss exploits him and Korean society treats him as a…
The Next Generation of Canada’s Public Broadcasting
Tackling polarization, engaging with younger Canadians, and how Kim’s Convenience represents the future for the CBC
Netflix’s Narcos: America’s Cultural Imperialism Retells History
Hollywood holds a monopoly over story telling in Disney movies, HBO specials, and now in Netflix original series…
Love in the time of Censorship: How One Show Slipped through the Net
Iran is not a country known for having free and liberal censorship laws and so it is a shock to many that the new…